Bu makalede Marmara Denizi’nin Kuzeybatısında yer alan Rodosçuk/Tekirdağ kazasında yaşayan halkın beslenme kültürü ele alınmıştır. Hangi ürünlerin yaygın olarak tüketildiğini belirlemek için başvurulan temel kaynak narh defterleridir. Bilindiği üzere narh, mal ve hizmet fiyatlarının esnaf örgütlerinin görüşü alınarak devlet tarafından belirlenen üst sınırını ifade etmektedir. Piyasada bulunan malların listelerini barındırdığı için ayrı bir önem taşıyan narh defterleri ilgili kazaya ait şer’iyye sicillerinde yer almaktadır. 1638-1730 yıllarına ait narh listelerinde bulunan ürünler türlerine göre sınıflandırılarak başlıklar halinde değerlendirilmiştir. Bu araştırmada ayrıca (...) narh defterlerine yansıdığı kadarıyla Rodosçuk piyasasında bulunan yiyecek maddelerinin çeşitliliği, yakınlığı nedeniyle özellikle İstanbul’da ve Saray’da tüketilen ürünlerle karşılaştırılarak zaman içinde meydan gelen değişimler belirlenmiş ve incelenen dönemin başından sonuna kadar önemli bir dönüşümün yaşanmadığı ortaya çıkmıştır. Varılan sonuçlardan bir diğeri de Amerikan menşeli yiyeceklerin henüz Rodosçuk’ta sahneye çıkmamış olmasıdır. (shrink)

A commissioned article about philosopher of ecology Levi Bryant, and his theory of urban space.

In today's complex business world, the question of business ethics is increasingly gaining importance as managers and employees face numerous ethical dilemmas in their jobs. The ethical climate in the Turkish business environment is also at a critical stage, and the business community as a whole is troubled by ethical problems. This study attempts to determine the effect of individual, managerial and organizational factors on the ethical judgments of Turkish managers, and to evaluate the ethical perceptions of these managers. The (...) findings of this study reveal that the ethics score, the measure of ethical judgment, of Turkish managers differs significantly only with respect to gender and that female managers have higher ethics score than male managers. Other individual, managerial and organizational factors considered in this study do not have any significant effect on the ethical judgments of the managers. A comparative analysis between female and male managers in terms of their ranking of the eleven ethical business scenarios, ranking of the sixteen unethical acts, ranking of the factors influencing managers to engage in unethical practices, and ranking of the various parties to whom a company is socially responsible enables the researchers to enlighten the subject of business ethics in Turkey. (shrink)

The idea of legislative intent plays a central role in legal interpretation and constitutional theory, yet is repeatedly challenged as being an illusion. Refuting these challenges, this book develops a robust account of how and why legislatures form intentions, and the importance of these intentions to understanding law and parliamentary democracy.

While many film theorists declare Agamben as, in equal part, a Deleuzian film theorist, I pose that, through this Benjaminian lens, we can parse distinctive cinematic questions that Agamben exclusively pursues - in particular, cinema's potential as a repurposive counter-dispositif to combat dominant forms via critique. This is not to suggest that parallels do not exist between Agamben and Deleuze’s approaches: as Meillassoux has noted, Deleuze's logic of representation (also known as "correlationism") develops an "image of thought that attempts to (...) overcome the binary separation” between matter and spirit, mind and body. Furthermore, Agamben is unequivocally astricted to the Bergson-bound Deleuzian tradition of "untimeliness," whereby cinema extricates "the fallacious psychological distinction between image as psychic reality and movement as physical reality." Furthermore, both Agamben and Deleuze are committed to a notion of "cinema-thought," as Jean-Luc Nancy terms it, or haecceities of Oneness—a commitment to cinema-as-immanence, or indexing thought, rather than mediating it via hermetic historicism. However, Agamben's concept of gesture, as a prelinguistic mode of communication, suspends the symbolic, replacing taxonomy and, therefore, offers a sublime breach: "Gesture is the communication of a potential to be communicated." In other words, Agamben’s gesture is something of an “enigmatic signifier,” insofar as it is impregnated with a primitive and unconscious meaning. (shrink)

A eulogy on the late Bernard Stiegler, reflecting on Ekin Erkan's friendship with Stiegler and Stiegler's influence on the philosophical study of technology, stoking a comparative review between Stiegler and other thinkers in analytic and continental traditions.

This article considers what it is for a free people to rule and to be ruled. The rule of a free people is the rule of the whole people, not merely of some part thereof, even if a majority. However, it does not follow that collective self-government requires or warrants judicial supremacy, for the courts are not better placed than the legislature to represent the whole people in choosing what is to be done. The rule of a free people involves (...) the joint action of a united people, the members of which form a purposive group. The group stands ready to recognize authority, which is an exercise in rational agency. The constitution of a free people frames this joint action, making it possible for persons jointly to respond to reasons with coherent choice. A free people consists in free and equal persons, but again this does not require or warrant judicial supremacy. The main arguments to the contrary take for granted an unsound account of the free person, a sound account of whom is central to explaining how a people may be free and why it ought to be. (shrink)

Review of Alison Laywine's Kant's Transcendental Deduction (2020) alongside Béatrice Longuenesse's I, Me, Mine: Back to Kant and Back Again (2017).

Book review of Anja Jauernig, The World According to Kant: Appearances and Things in Themselves in Critical Idealism (2021) by Ekin Erkan.

This book is part jazz historiography, part autoethnography and part memoir. It sets forth a grounded theory of 'authenticating' as a basic socio-political process, with reference to Richard Ekins' participation in the social worlds of New Orleans jazz, and his life as a social constructionist social scientist and cultural theorist.

This paper argues for a metacognitive reading of Kant’s doctrine of ‘aesthetic ideas’, according to which they enjoy the functional role of licensing a theory of art interpretation. I begin by offering a textualist reading of Kant’s doctrine of ‘aesthetic ideas’ and contest the received ‘semantic paradigm’ according to which aesthetic ideas either approximate the form or content of a rational idea. After showing the relationship between aesthetic ideas and artistic interpretation, I assess whether Kant’s theory delivers what we want (...) from a theory of artistic interpretation. I subsequently show how Schelling’s conception of artistic production and reception in the System of Transcendental Idealism (1800) draws from Kant’s doctrine of ‘aesthetic ideas’. After analyzing the relationship between Kant and Schelling’s accounts of art interpretation, I evaluate which account we ought to prefer. (shrink)

According to commentators like Rosalind Krauss, Briony Fer, Caroline Jones, and Michael Fried, Clement Greenberg’s formalist/positivist device of “medium-specificity” debars errant affective aesthetic experiences that are embodied; despite significant differences in how these theorists arrive at this conclusion, one shared point of emphasis is Greenberg’s inheriting Kant’s disinterested conception of pleasure in reflective judgments of beauty. Offering a textualist review of Kant’s Analytic of the Beautiful, I seek to demonstrate that neither Greenberg, nor Greenberg’s critics, are correct in their account (...) of Kant’s judgments of beauty.1 Specifically, I argue that Greenberg conflates Kant’s conception of judgments of free beauty (pulchritudo vaga) with merely adherent beauty (pulchritudo adhaerens). In formulating a rejoinder to Greenberg and the misplacement of Greenberg as a Kantian, and following Diarmuid Costello, I hope to save a path for a Kantian aesthetics of the present, much in the spirit of other broadly Kantian art historians and philosophers of art/aesthetics (e.g., Thierry de Duve, Paul Guyer, Ido Geiger, etc.). (shrink)

Review of Charles Ray's recent show, Figure Ground, at The Metropolitan Museum of Art.

This paper looks at dialectical inferences as they relate to Hegel’s modal metaphysics, closely examining the Actuality section of Hegel’s Science of Logic and positing a reading of Hegel’s modal actualism that engages with two strains of secondary commentary. Responding to commentators, we make the case that Hegel’s ‘das Logische’ avoids presupposing possibility’s being prior to actuality insofar as actuality and the derivation of possibility is considered as the in-itselfness of actuality, an implicit inner moment whereby actuality further determines itself. (...) Actuality is immediate yet derived as an identity from the logic of inner and outer. If actuality as immediacy is explicit/outer, then its opposition, its implicitness/innerness, has to be possibility in the logic of modality. In order to conceive of actuality as existence, and particularly as an emerging process, we must already conceive the problem of presupposing an alien form within the logic of actuality. (shrink)

A review of the recent exhibition of Wassily Kandinsky's artworks at the Guggenheim Museum, with interest in Kandinsky's career-wide separation of form from content.

In today’s marketing conditions, it becomes really vital for companies to establish an appropriate relationship with suppliers and salesperson based on ethical values in order to survive. Besides, ensuring an effective relationship between the parties would contribute to increase buyer satisfaction along with economic and social satisfaction. In this study, the direct effects of suppliers’ and salespersons’ unethical behaviors on buyer satisfaction, and the moderator effect of communication between buyer–supplier relationships are examined. The results of the study have revealed that (...) unethical behaviors of suppliers and salesperson affect buyer satisfaction negatively and the communication variable has moderately affected. The results are providing important advantages for buyers who want to improve the relationships between the suppliers and their salesperson for pharmaceutical enterprises. (shrink)

Art and Posthistory: Conversations on the End of Aesthetics is composed of four conversations between Arthur Danto and Demetrio Paparoni, conducted between 1992.

Review of Etienne Balibar's On Universals with an eye towards Balibar's Hegelianism and work on translation.

Orta Çağ, özellikle Avrupa açısından fikir ve yaratma özgürlüğünün kısıtlandığı bir dönem olarak nitelenmektedir. Ancak bu kısıtlamalar felsefe, güzel sanatlar ve birçok diğer alanda yaratıcılığı engelleyememiş, örtük de olsa ortaya çıkan yenilikler Rönesans’ın gelişine zemin hazırlamıştır. Söz konusu yaratıcılık alanlarından birisi de müzik felsefesi olup, bu alana dair bir çalışma yapılmasının Orta Çağ’da belirmiş olan müzik düşüncesinin daha iyi anlaşılmasına yarar sağlayacağı düşünülmüştür. Bu düşünce doğrultusunda çağın ilk zamanlarını kapsayan Patristik Dönem’de müzik felsefesine ilişkin bir çalışma yapılması planlanmıştır. Bu araştırmanın (...) amacı Patristik Dönem müzik felsefesini bu döneme müziğe ilişkin sundukları düşünceler ile en çok katkıyı sağlamış olan Augustinus ve Boethius’un düşüncelerinden yararlanarak incelemektir. Bu amaç ışığında iki felsefecinin seçilmiş kitaplarındaki müziğe dair fikirler derlenmiş, açıklanmış ve tartışılmıştır. Her iki filozofun da fikirlerinin bilime ve akla yaptığı vurgu ile Antik Çağ filozofları Pythagoras ve Platon’dan izler taşımakta olduğu ancak Augustinus’un fikirlerinin daha çok Hristiyanlık fikriyle sentezlenmiş, Boethius’un fikirlerinin ise daha seküler bir özellikte olduğu görülmüştür. Felsefeciler ayrıca müziğin varlığı, içeriği ve etkisine yönelik özgün düşünceler de iletmişlerdir. (shrink)

Bilindiği gibi zaman Antik Çağ’dan itibaren felsefenin önemli konularından biri olmuştur. Metafor ve metaforun olmazsa olmaz sayıldığı şiir de hemen her çağda filozofların ilgisini çekmiş, metaforu kimileri ifade aracı olarak kullanmış, kimileri doğrudan araştırma nesnesi saymış, şiirin doğasına ilişkin sorgulamalar estetik felsefesinin doğmasında önemli rol oynamıştır. Bu makale zaman, metafor ve şiire felsefe değil filoloji ve edebiyat eleştirisi perspektifinden yaklaşmıştır ama hemen her adımı felsefeyi çeşitli açılardan ilgilendirdiğinden çok disiplinli ya da doğrudan felsefi başka çalışmalara katkı sağlayacağını umuyoruz. Dünyayı ve (...) insan doğasını anlama amacının birleştirdiği, hakikati arama biçimlerinin ayırdığı edebiyat ve felsefenin tarih boyunca şiddeti değişse de süren geriliminin pek çok açıdan verimli olduğu, bilişsel estetik gibi yeni yaklaşım ve bilgi alanlarının da bu ilişkiye boyut kazandırdığı açıktır. Çalışmamızda, öznel zaman algısına dayalı zaman metaforlarının ağırlıklı olarak Augustus Dönemi’ne (MÖ 27–MS 14) ait Latin şiirlerindeki başlıca örnekleri kavramsal metafor kuramı çerçevesinde çözümlenmiş ve bu kuramsal çerçevenin Latin şiirine ilişkin eleştirel çözümlemelerin geneli açısından sağlayabileceği imkânlar çeşitli yönleriyle tartışılmıştır. Catullus, Horatius, Ovidius, Tibullus, Statius ve Phaedrus’tan örnekler içeren bir seçki üzerinde yaptığımız bu çalışmanın bulguları şiirdeki metaforların oluşmasında ve algılanmasında hem bilişsel süreçlerin hem anlatı tekniklerinin devrede olduğu görüşünü desteklemekte ve Latin şiirlerinin bu çifte bakış açısıyla daha verimli yorumlanabileceğine işaret etmektedir. İncelenen örnekler zamana ilişkin öznel, başka deyişle, şair ya da anlatıcının bireysel algısının öne çıktığı metaforlardan seçilmiş olmakla birlikte, zamanla ilgili kültürel ve öznel tasarımların birbirinden kesin biçimde ayrılamadığı, belirli kavram sistemlerinin farklı katmanlarını oluşturduğu görülmüştür. (shrink)

Are the emotions elicited by real-life occurrences in analogous with those which occur in fictions? The position that Jonathan Gilmore stakes in Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind is that our emotions are not governed by the same standards of appropriateness or rationality across life and art—there is a kind of separation, barrier or “quarantine” (to borrow Gilmore’s parlance). For instance, we may admire or root for Tony Soprano when watching The Sopranos but would abhor (...) such a person in real life; similarly, we may take great pleasure in the wanton destruction in a film such as Lars von Trier’s Melancholia but would be horrified by this were it to occur. Gilmore queries us to examine this discrepancy and departure, drawing attention to the consideration that, if fictions are simply extensions of our imagination why often times when we imagination something do we respond to what we imagine as if it were to really occur? When we imagine missing a train, for instance, we feel a nervousness analogous to what we would feel were we to really miss the train. On the one side is the pull of continuity, a commitment to invariance, in which our engagements with the contents of fictions and other imagined creations are said to be modeled on our engagements with ordinary real-world states of affairs. On the other is the pull of discontinuity, in which such representations are posed as offering potentially sui generis sorts of experiences that resist assimilation or reduction to those we encounter in the everyday. Thus, questions concerning art and fictive imagining’s autonomy and belief are inherently imbricated within this discourse. (shrink)

This article considers Dworkin's influential argument against legislative intent in chapter 9 of Law's Empire. The argument proves much less than is often assumed for it fails to address the possibility that the institution of the legislature may form and act on intentions. Indeed, analysis of Dworkin's argument lends support to that possibility. Dworkin aims to refute legislative intent in order to elucidate his own theory of statutory interpretation. That theory fails to explain plausibly legislative action. Dworkin's argument does not (...) refute legislative intent but instead suggests there is reason to think that the legislature is capable of intentional action. (shrink)

A book review of The Michel Henry Reader, edited by Scott Davidson and Frédéric Seyler.

This article examines the relationship between Alain Badiou’s work on mathematics and politics by tethering his most recent work on the former, Migrants and Militants with L'Etre et l'évéenement. Juxtaposing Badiou’s work on being with Deleuzean becoming, this article begins by detailing Badiou’s Platonism. Consequently, the paper seeks to demonstrate that Badiou’s political position on migration is not only compatible with but serves as an extension of his work on Zermelo-Fraenkel axiomatized set-theory. This bricolage critically engages with Badiou’s conception of (...) the truth-procedure and the event. In relation to the ontological order of the pure multiple and the objective order of presentation, subjectivation emerges as an interruption of the stability and stasis of the ontological order, both politically and in mathematics, stilting the process which Badiou names an “event,” which initiates the creative process of construction or “truth-procedure.” The nexus of Badiou’s case study on migration finds him repudiating what he sees as a faulty moral imperative lodged in Derrida’s conception of hospitality, which Badiou sees as denying true subjectivity and reaffirming pernicious essentialisms. (shrink)

This paper seeks to show how Kant’s epistemological conception of the transcendental faculties of cognition relates to his ontological conception of the transcendental distinction between mind-dependent, ideal appearances (viz., empirical objects) and mind-independent, transcendentally real things in themselves, as they relate to the self. I engage the metaphysical foundations of Kant’s account of self-consciousness and how this account relates to the self as an empirically perceivable and conceptualizable object of observation. This paper also connects Kant’s work in the Transcendental Deduction (...) on the transcendental unity of apperception with Kant’s work on “clear” and “obscure” representations. (shrink)

The purpose of this article is to examine consumer protection, complaint, and statisfaction/dissatisfaction behaviors in developing countries with special reference to an advanced developing country — Turkey. The study was designed to describe consumer complaint handling issues in urban Turkey. It tries to explain consumer behavior differences along five consumer product categories as to the frequency and manner of consumer complaining behavior and suggests insights into the effectiveness of consumer complaint handling policies in Turkey. It is maintained that the study (...) results are also applicable to other developing countries which are at a similar level of socio-economic and technological development. (shrink)

Despite the seemingly neutral vantage of using nature for widely-distributed computational purposes, neither post-biological nor post-humanist teleology simply concludes with the real "end of nature" as entailed in the loss of the specific ontological status embedded in the identifier "natural." As evinced by the ecological crises of the Anthropocene—of which the 2019 Brazil Amazon rainforest fires are only the most recent—our epoch has transfixed the “natural order" and imposed entropic artificial integration, producing living species that become “anoetic,” made to serve (...) as automated exosomatic residues, or digital flecks. I further develop Gilles Deleuze’s description of control societies to upturn Foucauldian biopower, replacing its spacio-temporal bounds with the exographic excesses in psycho-power; culling and further detailing Bernard Stiegler’s framework of transindividuation and hyper-control, I examine how becoming-subject is predictively facilitated within cognitive capitalism and what Alexander Galloway terms “deep digitality.” Despite the loss of material vestiges qua virtualization—which I seek to trace in an historical review of industrialization to postindustrialization—the drive-based and reticulated "internet of things" facilitates a closed loop from within the brain to the outside environment, such that the aperture of thought is mediated and compressed. The human brain, understood through its material constitution, is susceptible to total datafication’s laminated process of “becoming-mnemotechnical,” and, as neuroplasticity is now a valid description for deep-learning and neural nets, we are privy to the rebirth of the once-discounted metaphor of the “cybernetic brain.” Probing algorithmic governmentality while posing noetic dreaming as both technical and pharmacological, I seek to analyze how spirit is blithely confounded with machine-thinking’s gelatinous cognition, as prosthetic organ-adaptation becomes probabilistically molded, networked, and agentially inflected (rather than simply externalized). (shrink)

Book review of Ann-Sophia Barwich's Smellosophy: What the Nose Tells the Mind (2020), focusing on stereotypic stimulus mapping vs behavioral approaches that a proper study of olfaction, and perception tout court, necessitates.

Drawing from a Sellarsian realist-naturalist epistemology, we trace different levels of cognitive hierarchy procedures through which a representational system learns to update its own states and improve its ‘map-making’ capabilities from pre-conscious operations which modulate base-localization functions, to patterns of epistemic revision and integration at the conceptual and theoretical levels, producing a nomological double of its world. We show how ontological theorization becomes diachronically coordinated with and constrained by empirical science, and how the formal-quantitative kernel of scientific theories corresponds to (...) qualitative-conceptual determinations at the structural level. Following Johanna Seibt’s characterization of ontology as a theory of categorial inference, we trace the preservation of inferential semantic structure across ontological theories in relation to model languages and provide provisional indications to coordinate Seibt’s account with a convergent realist assessment of systematic modeling, defining the epistemological conditions for articulating the preservation of formal structure in theories toward a limit-point of enquiry. (shrink)

Name der Zeitschrift: Kant-Studien Jahrgang: 106 Heft: 4 Seiten: 717-721.

Legislated Rights: Securing Human Rights through Legislation aims to correct certain imbalances in constitutional thought and scholarship that burden the legislature and rights with misconceptions...

Review of Paul Guyer's Reason and Experience in Mendelssohn and Kant.

Understanding, for Kant, does not intuit, and intuition—which involves empirical information, i.e., sense-data—does not entail thinking. What is crucial to Kant’s famous claim that intuitions without concepts are blind and concepts without intuitions are empty is the idea that we have no knowledge unless we combine concepts with intuition. Although concepts and intuition are radically separated mental powers, without a way of bringing them together (i.e., synthesis) there is no knowledge for Kant. Thus Kant’s metaphysical-scientific dualism: (scientific) knowledge is limited (...) to the world of phenomena—the world of appearance—while the thing-in-itself is unknowable because there is no intuition that can correspond to the it. This paper sets to cull Béatrice Longuenesse’s recent work on the first-person ‘I’ and put forth a novel Kantian approach to the first-person reference of mental states, working in the tradition of P.F. Strawson, Rudolf Carnap, and Wilfrid Sellars, while offering an empirical study of deafferentation to ground the thesis that the binding of representations is separate from phenomenal consciousness. Accordingly, we stake a kind of self-consciousness vis-à-vis the Fundamental Reference-Rule qua apperception that, while intimately connected to consciousness of one’s own body, apperception is nevertheless distinct from it and is, moreover, the condition for any use of ‘I’. We compliment neuroscientist Oliver Sacks’ research with Ned Block’s recent work on “no-post‐perceptual cognition” and attentional variation to couch Kant’s schema in perceptual psychology. We navigate Kant’s work on intuitions (viz. sensation, perception, and the empirical side of the cognitive faculties) and indirect realism/weak representationism first via Sellars’ naturalization of Kant’s inaccessible thing-in-itself, before challenging Sellars’ functionalist and inferentialist conception of perception and discursive intentionality. We ultimately endeavor to conceptualize the limit-conditions regarding our having reportable knowledge about our access to percepts and concepts. (shrink)

Over the last thirty years, once staunchly film history scholars such as Thomas Elsaesser, Jane Gaines, Siegfried Zielinski, André Gaudreault and Benoît Turquety (to name just a few) have abandoned history for historiography and film studies for media archaeology. Considering the heightened attention given to kulturtechnik (Siegert), the database as a dominant symbolic metaphor,1 and the decentered networked tenants of the postmodern global present, cinema is taking on the characteristics of new media, existing in increasingly intertextual space. Thus, the term (...) “post-cinema” has been co-opted as a viable intermediary that accounts for new media conditions, as cinema is no longer emblematic of our cultural climate. It was once presaged in 1992 that “[t]he end of the cinema truly sounds the death knell of the ultimate metaphysical adventure of Dasein. In the twilight of post-cinema, of which we are seeing the beginning, human quasi-existence, now stripped of any metaphysical hypostasis and deprived of any theological model, will have to seek its proper generic consistency elsewhere.” Accordingly, we are no longer “moviegoing animals” who seek images of ourselves among a collective in the dark but, rather, users interfacing within a network of moving images. By locating post-cinema within the semblance of social media, we are allocated a newfound series of theoretical interventions, the most marked of which is that of media archeology vis-à-vis dialectical materialism. This is a lens through which Brian Winston has recently deftly decried Virtual Reality’s “empathy machine” utopic illusionism, bolstered by Chris Milk and a slew of neurohumanities researchers, steadily maintaining that the fundamental myth of “technologies of seeing” is in disguising “their artifice, their cultural formation and their ideological import.” However, this approach, which illuminates the bifurcation between Max Horkheimer/Theodor Adorno and Walter Benjamin, neglects what Benjamin identified as occurring to the work of art in the age of its technological reproducibility—a shift from a technology’s “cult value,” associated with the unique work, to its “exhibition value,” associated with the social act of viewing as part of a mass. Speaking to this divarication, Benjamin Barber, in Strong Democracy, foresaw new media’s two-fold potential—as they are organized and networked, new media and communications technologies possess the possibility to both energize citizen information and political participation but, simultaneously, to supplement the deterioration of public debate. As evinced by Mark Adrejevic’s concept of Infoglut, this two-pronged possibility has only been exacerbated by the interlocking relationship between the advent of a “glut” of information, post-truth politics, the demise of symbolic efficiency, and a renewed focus on the role of affect and emotion as “alternative modalities for thinking about the role of communication in a post-referential era.” Manuel Castells qualifies Barber’s pessimism, noting that the Internet can “be an appropriate platform for informed, interactive politics, stimulating political participation.. […] beyond the closed doors of political institutions,” but that the Internet, like any technology, “is shaped by its uses and users.” Thus, if there exists a positive correlation between exposure to post-cinema media artifacts and political participation, then I seek to explore the revelatory political possibilities of “exhibition value” by way of a particular “post-cinema” case study: the Marxist-Leninist Turkish hacktivist group Redhack’s YouTube-circulated documentary RED! (2013), a project that demanded—by way of the moving-image—to galvanize cyberprotest and democratize a “hacktivist commons. (shrink)